‘When there’s a high note, I just sing my heart out’: Rights, Diversity and the Performing Arts at Allens Croft Primary

Allens Croft is a Platinum Arts Mark school in King’s Heath, five miles south of the centre of Birmingham. During our visit, we spoke to students and staff to get the inside story of the many benefits the arts bring to their school.

‘Always your teachers’: The rainbow-fronted Allens Croft Primary

We learned how Allens Croft are specialists in the performing arts, particularly drama. Arts Lead Dan Jones spoke highly of the school’s partnership with The Hippodrome, an iconic late 19th Century theatre in the city centre. As well as having a Hippodrome learning officer in the school for one day a week, Dan and the students told us about the plays and musicals they had performed at the theatre. As part of their partnership, the school also gets to see many professional productions. 

Students told us about how much they love playing steel pans, ukuleles and other instruments in their music lessons. They were enthusiastic about the regular ‘X Factor’-style Talent Shows. The professional lighting and sound equipment in the Hall was evidence to how serious the school took these competitions.

We spoke with the boy who had won the previous year’s talent show as a rapper. This led to a discussion about whether rapping, DJing and making music on a computer should be taught in primary schools. We spoke with students who did all of these things at home, sometimes with a parent or family member. One student suggested that stand-up comedy should also be on the timetable. We wondered whether this has happened in other schools. There’s a first time for everything!

The school are also partnered with the Shakespeare Birthplace Trust, the Birmingham-based Linden Dance CompanyNew Wave Arts/Birmingham Music Service, and The Play House (Theatre in Education) company.

Allens Croft also have links with BCMG (Birmingham Contemporary Music Group) with whom they are involved in a research project. We also learned about the students’ visits to the Brandwood Centre, a local community centre where they help out with the art club, and sing. They also visit Pineapple Place, a residential home for older adults where they sing at Christmas time. 

Dan talked about his five-year journey to achieve the Platinum Arts Mark and described the process as extremely valuable in raising the standards of the arts in the school. With a Master’s in Work Based Learning (Drama), Dan was clear about the ways that the arts benefitted his students; an alternative place to be successful, especially for those that struggle to engage with the more academic subjects; an opportunity to build language skills from Reception onwards, and; and as a focus to foster social skills (Dan’s MA dissertation was on this very subject) by mixing abilities and getting students to work with different people each time.

Dan also stressed the value of the Arts Connect network of Birmingham schools set up by Gill Sparrow, Head of Hillstone Primary (one of our RAPS schools) in east Birmingham, and the staff he had met from Billesley Primary (another school in our project), just two miles away from Allens Croft. There must be some creativity flowing through the canals of Birmingham!

From the front of the school, it’s clear that Allens Croft take diversity and inclusion seriously. The giant rainbow is a symbol of the extensive work they do on issues around race, LGBTQ+ (through Educate and Celebrate – a charity that supports schools to talk about homophobia and LGBTQ+ issues), and domestic abuse (through Operation Encompass). Like other schools we have visited, Allens Croft is a UNICEF Rights Respecting School

Headteacher Paula Weaver (first Degree in Furniture Design, former secondary DT teacher) told us how diversity, inclusion, the respect of rights and a focus on oracy were hard-wired into the school’s mission to produce students who can ‘regulate their emotions … know how to interact with people … [and] celebrate difference’. Paula explained how the school are ‘really good at managing anxieties and trauma’ and how that has attracted a high proportion of special needs children.

We enjoyed talking to three such students – the animated Arts Ambassadors in The Turtles. The quote in the title of this blog post comes from one of them. As well as telling us about some of their art works and projects, and showing us some work in progress, they sang us a sea shanty. However, despite talking excitedly about Disney’s Encanto, they did not want to talk about Bruno!

While Paula mentioned that the arts at Allens Croft were ‘seriously embedded’, Dan (‘every school should have a Dan’: Paula) has plans to develop the visual arts in the ‘constantly evolving’ curriculum and continue to support students’ wellbeing and social skills through the arts after the disruptions of Covid.

We wish all the best to Headteacher Paula Weaver, Arts Lead Dan Jones, and all of the Year 4, 5 and 6 students who we spoke with on our visit, not forgetting The Turtles! Thanks for inviting us into your arts-rich school to learn about your great work.

You may also be interested in reading our recently-published Art, Craft and Design Rapid Evidence Review – a survey of published scholarly literature on art, craft and design in education.

‘There isn’t a single project that we couldn’t enhance by the use of the arts’: Hillstone Primary

Music and drama run through Hillstone Primary like the River Rea and the Digbeth Branch Canal run through nearby Birmingham, a city named after Boerma, its Anglo-Saxon founder.

How do we, from the East Midlands, know so much about our West Midlands neighbours? Well, Hillstone’s music and drama teacher Keith Farr wrote a musical for the students called The Birmingham Cantata, full of facts about history, heritage and culture.

The songs evoke the sights and smells of the region’s Industrial Revolution, detail the contributions of steam engine pioneers Matthew Boulton and William Murdoch, and celebrate Birmingham’s multi-cultural past and present.

In fact, turning topics into mini-operas is something of a speciality for Keith and his students. For example, after the school had been to watch the full 3-hour version of Madame Butterfly performed by school partners Welsh National Opera, students spent a week rewriting the story and songs in English. Forty-eight of them performed it onstage for their parents back at school.

After watching performances of Stravinsky’s Peter and the Wolf and The Firebird they wrote and composed music for their own Russian folk tales and performed them with a group of schools. They have also created a piece called Three Planets based on the three primary colours.

Students have also worked with the Birmingham Royal Ballet, Birmingham Rep, the Royal Shakespeare Company and many other cultural partners. 

We have written before about how little we get to see music and drama performances during our research visits. At Hillstone, we were lucky enough to watch (and sing along with) Keith’s pre-school rehearsal of a recently composed musical nativity, and attend (and participate in!) the after-school choir session.

The students’ enthusiasm for music performance was palpable. Immediately after one of our focus group interviews, Year 5 students insisted on playing for us on their guitars, trumpets, violins and clarinets, and singing some of the songs that they were rehearsing. 

With all of this musical confidence flowing through the school, it is no surprise that Keith places his emphasis on the process – the various problem solving, technical and other skills that the students learn while they are creating, shaping and rehearsing a work. 

Head teacher Gill Sparrow told us of her passion and support for the cross-curriculum integration of the arts, and for Keith’s methods. ‘There’s nothing that you couldn’t write a song about or create a dance to’ she explained, before adding ‘there isn’t a single project that we couldn’t enhance by the use of the arts’.

School bandstand

In addition to the benefits of the process, Gill stressed that everything that the students did had to have a purpose. That might be in the form of an exhibition, or a performance at the school or at local old people’s homes, or in the toy designing-and-making project they did with a professional toy maker.

As well as enhancing the curriculum and making it more enjoyable, Gill told us how the arts were particularly important for her students, their families and the local community. 51% of the students are on Free School Meals; the children’s families score high on markers of abuse and deprivation; many parents are third generation unemployed.

Gill told us that while many middle-class children may have easy access to ballet, the theatre and the wider arts, her mission is to provide ‘brilliant opportunities’ – high quality arts experiences that children have the right to access. As an arts-rich school for all of Gill’s 20 years as Head, the arts were enriching the school and transforming individual lives.

For example, one student had been taught some photography techniques by a teacher. He then went on to win a photography competition.

Every year, parents and carers attend the ‘Music for a Summer’s Evening’ concert in which at least a quarter of the children are involved (after auditions!). Teachers dress in posh clothes and local dignitaries attend. The audience has learned to take the event seriously – parents now stay until the end, watch all of the students perform, and clap after each act.

While Gill talked of the precarity of having arts specialisms driven by just one person, she has been keen to share her passion and knowledge by setting up ArtsLink, a network for Birmingham primary arts teachers.

The immersive environments in the school, produced through weekly workshops with arts professionals, themed around A Midsummer Night’s Dream (corridor installation, costume design, banners, performance, etc) and a Chinese Temple are lasting testaments to Gill’s commitments to an arts-rich education. 

The students’ enthusiasm for music, drama, and the wider performing arts were matched by the liveliness of their sketchbooks and by the art works on display around the school. 

So, in the words of one of the songs from The Birmingham Cantata:

Ignite the torch and lead the way. The light spreads far and wide.

Opens eyes and strengthens ties. Forward to the future.

Thanks to Head Gill Sparrow and Music and Drama lead Keith Farr for their warm hospitality and insights into their arts-rich school. Thanks also to all of  the students we met and interviewed.

You may also be interested in reading our recently-published Art, Craft and Design Rapid Evidence Review – a survey of published scholarly literature on art, craft and design in education.