Feversham is a large primary school located in Bradford Moor, an area of pronounced social deprivation less than a mile from Bradford city centre. It is an exemplar of how the Arts can transform a school.
After being placed in special measures a decade ago, the decision was made for music and drama to form the core of the school’s connected curriculum. This has not only produced excellent results in maths, reading and writing, but has contributed to the students’ confidence, positivity and friendliness, all factors noted in the school’s recent Outstanding Ofsted report.
Our day-long visit began with a lively assembly in which Year 3 students used music and drama to depict the employment and education of Victorian children. The graphic depictions of working conditions and punishments elicited a flood of questions from the rest of the students.
Our guide for the day was Arts Lead Alisa Yates. We began our tour in the large, light and open Arts Studio. A wide range of media and techniques were displayed on walls, drying on racks and hanging on strings.
Alisa has written an article all about this creative space in the latest edition (#33) of NSEAD’s AD Magazine. In it, she talks about promoting independent thinking and a proactive approach.
There was a corner ‘curiosity’ area with comfy seating where students could use the miscellaneous objects as stimuli for sketching and inspiration.
Alisa showed us the table of pestles, mortars, gums and stones used to make paints and dies. We were told how the children would learn about the process of grinding and combining ochre and other materials to make powders and pigments that would become the colours they use for their own art works.
The Art Studio also contained light boxes for a stop-time iPad-based animation project. Alisa told us of her professional background in photography from the age of 16 often working with her own team of stylists and technicians. She is a current arts practitioner specialising in watercolour painting, photography and textiles.
Her ongoing exploration of media and techniques, and passion for experimentation was evident not only in the vibrant Art Studio, but also in the conversations we had with Year 4, 5 and 6 students. Their many arts activities at Feversham are documented in this ‘Art Studio’ blog. Alisa also curates this ‘Art Academy@FPA’ blog which includes stimuli, activities and learning materials.
Led by Alisa, the school had been involved in a quilt making project. Feversham students, in partnership with the Bradford 2025 Year of Culture bid, made a video to explain the project and to ask other schools to contribute squares that communicated something about their ‘Untold stories, [and] Hidden Communities‘. The 200 individual squares were sewn together to create ‘a collection of memories and histories’ specific to the area and to the children.
We also met Jimmy Rotheram, Senior Leader for Music – probably the only one in the country, he told us. It was Jimmy who was leading the assembly earlier. Starting as a supply teacher eight years ago, Jimmy has developed an effective and influential music programme based largely on his training in Kodaly and Dalcroze, undertaken alongside his teaching. As a primary music expert, Jimmy and the music pedagogy of Feversham (up to six hours of music per week) have been featured in The Guardian, on the BBC, and in podcasts, YouTube videos and teaching magazines.
Jimmy talked about his mission to get the music of his many Muslim students more widely recognised. Like Alisa, Jimmy has a professional arts background – in music performance, a record deal and working in the industry.
Jimmy told us: ‘I have had formal music training. I just always found reading music far more difficult than someone of my musical ability should have done. It wasn’t until I discovered alternative ways of developing musical reading that my own ability to read music managed to catch up, and I discovered that all children could learn to read music well if taught in more child-friendly ways‘.
He bases his teaching largely on singing, rhythm and body percussion. You can read more about his ethos and methods here. His book (to be published in the Spring) will explain his methods to other music and performing arts teachers.
We were impressed by the time, effort and dedication that Alisa and Jimmy spent working with the Early Years and reception children and staff. It was clear that, through the arts, the school were building skills and confidence from a young age. On our visit to this area, we enjoyed the subdued lighting, stand-up easels and attention that had been paid to creating a warm and inspiring environment. As a demonstration of how Jimmy has embedded his approach to music across the school, a group of reception children were assembled to participate in a spontaneous singing and movement session.
As well as music, singing, quilt making and the Arts Studio activities, students had been working in collaboration with the Joss Arnott Dance Company.
The school is currently undergoing extensive expansion. The main hall has already been extended to incorporate a stage and the new site will include an updated music room. The transformation continues.
Feversham is a story of how arts pedagogy, arts leaders with professional arts backgrounds, and the creative application of continuing professional development can transform a primary school, drive the curriculum and inspire many others beyond the school gates.
Our thanks go to Arts Lead Alisa Yates for showing us around, to Senior Leader (Music) Jimmy Rotheram for his time and insights, and to all the staff and students at Feversham for their warm welcome.
You may also be interested in reading our recently-published Art, Craft and Design Rapid Evidence Review – a survey of published scholarly literature on art, craft and design in education.